I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
This is, simply put, a lyrical conversation between two gifted poets. Westlake, like I did, knew that translations of Sor Juana’s poetry just did not do her justice. When writing about Sor Juana, we need to travel a different path; we need to listen to the whispers from centuries ago.
I listened and wrote a biographical novel; Westlake listened and shared the conversation with us. All I can say is “Yes!”
The poems in Unmade Hearts: My Sor Juana are a call-and-response. Part translation, part conversation, and part footnote, this collection considers how desire and divinity are intimately acquainted. Tactically, the experience of it is akin to reading someone's private text messages; on one side July Westhale's translations of Sor Juana Inez de la Cruz. On the other, Westhale's response to them. There is something about both the process of translation and the process of coming into wholeness within queer desire that is akin: the seams of both show. Meaning is made through iteration, then reiteration. Through intimacy with, and intimacy…
This lavishly illustrated story of the Virgin of Guadalupe is simply stunning. The authors committed themselves to extensive research, from the very first story of the Virgin's appearance through discoveries about the constellations on her robe, the images in the background, and even recent discoveries of the images in her eyes.
And still, the question remains: Why has this tulpa made of peasant’s cloth not deteriorated, like all other fabrics from that era? Now I understand why the Virgin of Guadalupe is the patron of Mexico City.
Our Lady of Guadalupe is the most beloved symbol of Mexican Catholicism, and devotion to her is widespread in the USA. While she has entranced and encouraged Mexican Catholics for several centuries, believers and even nonbelievers the world over are inspired and intrigued by her. Millions of pilgrims visit her shrine in Mexico City every year. Both Pope John Paul II and Pope Francis have travelled there to pray for her motherly intercession. And scientists from many disciplines have studied the amazing attributes of her mysterious image.
In this glorious, lavishly illustrated book, the renowned author- photographer team Grzegorz Górny…
The colonial period of Mexico was a mystery to me, so I turned to the ultimate source, this book by Paz. Surprisingly, I found that I did not agree with all of Paz’s conclusions about Sor Juana and the time she lived. He wrote from a male perspective, a middle-aged scholarly male perspective. Sor Juana was a young woman, a distinguished scholar in her own right. Had she written such a history, it would be quite different.
Sadly, there is no such book written from a woman’s perspective, so I invite you to join me in discovering what nuggets of wisdom you can in this book, truly the ultimate deep dive into Sor Juana’s life and times. Yes, I relied a great deal on Paz’s research. You will find it fascinating too.
Mexico's leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Ines de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine's protegee. For five…
Royer adores Sor Juana, as do I. There are some wonderful surprises here, such as a long list of authors that Sor Juana likely read. The images that he presents, such as the church where la Vicereine Leonore was buried, are personal rather than scholarly. Yes, he does still speak from a purely male perspective, but it feels gentler than most.
Sor Juana was dubbed “The Tenth Muse” by an admiring priest in Spain upon publication of her poetry, and the sobriquet has remained with her throughout the centuries.
The Tenth Muse: Sor Juana Ines De La Cruz is a biography written by Fanchon Royer about the life of Sor Juana Ines De La Cruz, a 17th-century Mexican nun, poet, and scholar. The book delves into the life of Sor Juana, who was known for her intelligence and passion for learning, and her struggles to reconcile her desire for knowledge with the expectations of her religious order. It explores her relationships with powerful figures of her time, including the viceroy of New Spain, and her eventual decision to renounce her studies and focus on her religious duties. The biography…
Sor Juana wrote hundreds and hundreds of poems in all manner of styles, from short, spiffy, and even humorous ones to elaborate villancicos performed in a cathedral. Here is a brief collection in both Spanish and English, a few of her shorter love poems. The poems may have been written for her lover, la Vicereine Maria Louisa, or as a commission for a gentleman’s wife or lover. In any event, they are magnificent, such as:
Oh, how I went up in flames
In your lovely Sun!
Hungry for the bait,
I forgot the danger.
Reading these poems, I could not doubt the depth of Sor Juana’s passion.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
This mystical 17th-century nun captured the romance of Mexican poetry and sent it flying in the wind throughout the world. Her often passionate poetry echoed her feelings for the stunning woman with violet eyes, la Vicereine Maria Luisa. Life was resplendent for Sor Juana until the diabolical new Archbishop arrived in Mexico City. Sor Juana dared to challenge his authority once too often, and he slammed her in front of the Inquisition, where she stood alone.
This biographical novel challenges us to consider for ourselves just how far we would go in defense of our beliefs and how far we would go to protect our dearest friends. The story came to me in whispers, nudging me daily to write it. Finally, I had no choice. I had to tell the story of Sor Juana as I believe she would want it told.
An enthralling portrait of the Bloomsbury Group’s key figures told through a rich collection of intimate photographs. Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.
Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, and holidays.
An enthralling portrait of the Bloomsbury Group's key figures told through a rich collection of intimate photographs
Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.
Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, holidays. Several photographs are…
